4 rare tracks for inst05 ,finest analog drums and synth by yoshi. only vinyls release , limited copies

tresor is proud to welcome mønic to its catalogue.
head of osiris music, mønic is an accomplished producer based in the united kingdom. his style can be de&#64257,,ned as raw yet exceptionally re&#64257,,ned, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design. * parsons hill* opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks. alternatively, * morse* reveals another side of the artist with a more serene attitude. here, static passes through a magnetic &#64257,,eld with a constant palpitating bass. * hollow victory* opens with thunderous clangs and a &#64258,,urry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

reset robot is back on truesoul with an exquisite 4 track ep. exploring his signature deep and funky tech-house vibes, reset robot has used percussion and synth stabs to create a deep, underlying groove throughout this ep. tickled with hooks throughout the ep, there is a defining character within each track, in particular lost in a duvet with its unique piano hook that you will stay with you for days.

we have started a new project from a new part of finish team records only on vinyl. for the first release we have made a 4 track e.p. with the main artists of the label: manu p, andrea rubolini, aumrec & gabriele orsini. first track is composed by manu p, and is named el torito. is the perfect track for the summer time, with a latin tech house with a huge bass and melodic voice, perfect for the middle of the night set. the second is a track by andrea rubolini (the crowd), also here a huge bass during all the track and a melodic synth that characterized the track. the third track by aumrec (elonove), is more techno, with lot of strange and secret minimal part and a solid and fresh kick. gabriele orsini also composed the fourth track (the suspect), a techno and intense travel trough the dark techno scene.

laurine frost and denis kaznacheev teamed up to syud. their first ep ‘soho’ based on studio tapes which were recorded earlier in a small village not too far from moscow. all the three extraordinary pieces obviously contain modular synth, field recording elements and show the alloy of unique frost-kaznacheev style. tricky rumbling, heavy rolling basslines and crazy concept. joyfully intelligent tunes inside and outside of the dancefloors.

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

joey longo has had a long & varied music career since the 1980s, from regular global dj spots to producing hip hop records for krs one to spearheading the deep nyc house sound that he is most well known for. the raw shit is a classic pal joey ep, featuring a handful of his trademark hip hop & jazz infused tracks, all sample laden & with dope chopped up drums & ultra deep synth pads that occupy that sweet late night spot somewhere between the burrell brothers & maw. released in 1995 & still sought after by music lovers today the ep is the perfect marriage of house music with b-boy sensibilities, raw indeed! remastered, repressed & re-released for 2015 in conjunction with king street records, new york city.

a storming debut e.p from the persian prince, kasra v. a 21 year old from tehran who hit the shores of london four years ago armed with a bag of his uncle s boogie & disco and a taste in music belying his years. a residency at love fever has seen him holding his own with the likes of young marco, jonny rock, dj nature, and a radio show on the prodigious nts has seen him showcasing his tasted amongst the most listened on the station. learning his craft over the last 3 years on his trusty mpc2000, battery of fm keyboards and midi synced drum machines, his debut ep comes with a synth infused sound and a nod to 80s sleazy late night b movies.

mindtrip is pleased to announce the release of the labels 10th ep with 3 strong, synth orientated dancefloor tracks from label boss pfirter and a remix by tensal. the frenetic procyon begins the ep, a dark, atmospheric and intense track. with its driving percussive flow, its guaranteed to send whoever hears it into a feverish delirium. up next is rige, a more subtle and deep track which works a relentless groove alongside colourful metallic textures. tensal - also known as hektor sandoval and one half of spanish techno titans exium - remixes procyon superbly for the third track of the ep and demonstrates his innate ability to craft interesting and fresh sounding techno. the ep closes with closer to the truth, a hypnotic, trippy outing where tension and energy builds relentlessly amid a backdrop of organic anologue hubbub, providing a perfect showcase of pfirters trademark sound. this is mindtrip!

dj support from: dave clarke, ben sims, blawan, perc, randomer, and, clouds, jerome hill, joefarr, kr!z, sunil sharpe, j. tijn, manni dee...
following the massive double pack compilation ‘eight wigglin ways to die’, earwiggle return with the debut of a fresh artist, faetch. although a new name on the scene, faetch s advanced take on harder edged techno is far from the work of a rookie it would seem. four tearing club tracks here that contain all the ingredients needed to move the party into another dimension: firing rhythms, strange sampling, manic synth programming, unique sound design... we could keep going. faetch 1 is simply a corker and strong addition to the earwiggle catalogue.

the third installment of silent movie sounds series features music from four producers each delivering a different cut of deep, hypnotic music. japanese artist mituo shiomi is a regular on simoncino s hotmix records. he kicks off the va with a mesmerizing house track. fresh from his ep on fina records, detroit-based producer appian contributes a thumping track to this 12inch. russian producer alex danilov returns to rhr with a love story to acid. last but not least, the chicagobased coowner of perpetual rhythms, nick marshall aka taelue closes the ep with a deep and emotional track with a solid kick and smooth synth lines.

next up on titanic city, needs no introduction, nigel rogers aka perseus traxx has been a staple part on most record bags, a man dedicated to performance outside the box, has produced one of the greatest releases we will surely drop all year. some kind comments in our direction had to surly be returned with a request for a release and did he deliver. nigels first question was *what do you like* - *well we love your m>o>s, bunker, photic fields, snuff trax material*, he returned with a little bit of all. i am not gonna give the whole soaring pads, scraping percussive smears or the frenzied synth lines. this is perseus traxx he always delivers!! there is a rough and raw diy feel to this music that makes it jump out of the speakers and arrest your attention, as is always the case with titanic city.

jj&j return on 12 inch after knocking us sideways with last years double lp. there is true finesse (as ever) in these tempod productions, with fabulous synth layering throughout and some of those ravey details they lace in so well for the more expanded dancers ... up and out there.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd38 welcomes three newcomers to the whiskey disco roster, andy ash, jp source and vincenzo de bull & halve soul. they join alumni, rabo & snob, to present the disco darling ep. on the a side, andy ash adds his typical 909 vibes to the sliced and looped, chi-town influenced, you ve been found. in the inside, vdb & hs deconstruct and reconstruct cherry pie with acid tension and dub love. flip the platter for rabo & snobs darling, a showcase of what this duo does best, sample + analog synth jam. followed by the quirky rollergirl return. jp source offers a tool to keep the mid-set bouncing heavily, even at 107 bpm!

seb wildblood returns to the skint imprint as a follow up to his 2014, barcelona / blue colour ep. shadowed by his label mate apes, this release sees the two take on either side of the 10 inch with a familiar sound echoed by their church imprint. wildblood ignites the record with the bubbly and soothing concocton of noshi that fows seemingly under the vocals of phantasy afliate kelly lee owens. apes sits close on the fip side with a more club friendly ode to london, mortmer road. an eerie night time synth crawls through the suburban sounds of apes we ve been conditoned with since the up-rise of the church sound.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

spectral, fresh and bespoke techno hybrids on the first outing for tete records! fresh new label from roma, italy! gianmaria coccoluto is spewing tough and driving 909 rhythms together with crystal-clear analogue synth modelling and atmospheric science from the southern quarters. he makes his debut with two hypnotic mind-benders, the travel of the elephant and senza parole, the former of which is reworked and stripped down by non series raffaele attanasio. more to come from this guy!

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

denver producer & deep club resident makes his vinyl debut with 2 banging yet deep house-leaning techno tracks + remix from lone dancer. the elastic groove is a foundation for dreamy synth pads, with the remix taking it further into techno territory.

2 man synth funk band from leeds influenced by the 80s disco & boogie sounds from nyc. this ep is one for the synth funk freaks, with electro-funk jams, modern synth funk/disco, & sweet electro-bass melodies.

the titanic trio are lead by buzzers. the rise and fall of the metallic droplets oil this mighty techno machine as the march of its kick drum rolls like the constant throb of a diesel engine. dark and deadly. erector pili sees joel delivering a relentless tribal pattern wrapped in dreamy atmospheric and moving waves of synth. final cut pulhapanzak seems to combine elements of both the previous tracks. the ferocity of the lead track and the sweeping, ghostly atmosphere of the second, to create an excellent finale.

sheik ‘n’ beik are a nyc based cohort specialising in promotion, production and outletting left­of­centre slices of electronic music. with previous releases from family members derek marin, voiski and peter corvaia their 4th release comes courtesy of danny wolfers (a.k.a legowelt) working alongside rush hour regular xosar under their xamiga alias. with this being xamiga’s 3rd release, the pair draw for their trusted arsenal of analogue gear and offer up the ‘bohemian grove’ ep, a woozy brew of foggy textures, gently frazzled hats and detroit­indebted grooves. the title track kicks things off with glassy pads sat atop a long­tailed thud and a sandy shuffle. a distant bass groove wades in ahead of a passage of intricate, band­passed percussion and a circling synth line before ‘cumulus versie’ sets sheets of ethereal vocals and synth strings gently ducking under a taught analogue pulse. ‘midwest’ then sets hissing kicks and frayed hi­hats alongside a rasping bass tone. pitch­bent synth lines then bubble into focus before ‘blizzard’ sets a dystopian tone from the off. a stout kick drum thunders under minor­key chord shifts and a menacing sequence that works to round off another fine addition to the sheik ‘n’ beik series.

acid, no wave and experimental house producer drvg cvltvre has been busy recently. after releasing with chris moss acid on shipwrec in 2014, vincent koreman then served up a full ep of his own, on dutch label cos_mos and is now back once again with a new four track affair on pinkman that comes two years after he offered up the label’s first ep in 2013. up first, * my houz* is a swampy house track with heavy drums, whirring machines and white noise textures all adding up to an intense affair that sounds like little else. then comes * tyranny of the gods* , a slow tempo but high impact track that builds and builds on a nerve lead synth line as frazzled bass props things up from below. dark and weird, occult and rave, its another unique proposition. on the flip, * sleepdealer* is an unbalanced house track with taught, tight bass and is shot through with laser like synths. serene and spaced out, it makes way for closer * crack spirit guide* which is a noisy, intense and brooding fusion of crisp percussion, big walls of synth and chattering drums that really have you on edge. once agin, then, drvg cvltvre has come up with the idiosyncratic goods.

sorn002 welcomes another experimental beat maker tot he fold. asan is likely from another planet. his take on techno is like no other. expect wild drum patterns, freaky synths and alien grooves. synth lord steve moore strips things back in a way only he can and creates an arpeggiated synth journey which you d never tire of, even if it was 45 minutes long!

electronic emergencies is proud to introduce ceci n est pas, a synth wave project from new york consisting of nico nightingale, pierre klein and jorge socarras. nico nightingale is the man behind neud photo and earlier worked with pierre klein as neud. jorge socarras was singer with synth maestro patrick cowley in the 70s duo catholic, and with 80s cult band indoor life. together, they started ceci n est pas in 2014, and this 7 inch -the last time- is their first release. the title track on the a-side is an irrestisibly melancholic and romantic synth wave pop song, while b-side -the stranger- has a mysterious and yearning feel.

recorded in a bunker somewhere in the ancient basque region, sagas of subterranean life is a collection of 5 sagas that are heavily influenced by scandinavian life and european culture in general. showcasing a versatile collection of 5 bits that range from moving distorted house jams to synth blops and violating techno, norse is not just a collaboration between soul notes head honcho kastil and rotterdam based gitchell moore, it s also a project that tends to avoid genre-restrictions and box thinking. odd sequences x violating drum patterns x palindrome titles = sagas of subterranean life.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

now living in warsaw, donnell knox was well known, along with black nation s jay denham for forging a tough, distinct kalamazoo techno sound in the 90s. his label, sonic mind, put out some very coveted, underground wax that still sounds unique, extra rugged, and fresh. well d-knox is now on a bit of a comeback mission it seems, with some really inspiring new material, and “africa calling”. the first version, created to donnell’s much loved “spirit man” alias, is a soulful trek through layers of pads and emotive synth work. the simple, but uplifting, vocal snippet really gives it an organic and spiritual feel, the tempo is driving and quick, but the overall vibe is laid back and deep. remixes come from the likes of brooklyn based titonton duvante, who maximizes a synth pattern to a form a beautiful, reaching, version, while canada’a rennie foster channels his futago traxx style to present a full on tribal, drum based mix with added vocal pieces. also, detroit transplant, now living in canada as well, j garrett goes in with a very emotional, warm, string laden take. the ep is capped off with another version from donnell that could stand as it’s own track really, a totally different, but equally as strong, version featuring a driving baseline and detroit style string vamps. a really nice release, worthy of your support, from a well loved veteran of the techno underground.

4 high tech funk gems. 2 re-edit by osakas oyama edit crew + 2 from johannesburgs sad ghost. no synth funk fan should pass this one up.

mike gervais is back with the second release from deep within the system lair. relentlessly coded synth lines snake through rough kicks and industrial soundscapes on two seething original cuts, with two remixes completing the package. luis flores (clr, droid, blank code) delivers a pounding metallic reinterpretation, while doubt (mistress, don’t be afraid, disposable commodities) takes things down a cloudy and twisted path into murky

2016 repress - outplay s third vinyl release will be from young mancunian artist loz goddard. with releases on large music and editorial he has been making a great impression with his combination of disco and beatdown house. a well balanced blend between samples and synth work makes this a varied ep and a great showcase for loz s sound. outplay s own fouk takes care of the remix, turning the lush it will come to me into a solid dance floor track with added bass line groove

public possession under the influence 05 is the first various artists compilation on pp. four tracks made for your pleasure. reworked to be heavily used. kicking off with the already notorious flyer edit by samo dj featured in various mixes and high in demand - finally available on vinyl. on a2 bell towers takes over the controls to deliver another one of his italo tools. where does he get it from? who knows. 100% rhythm in motion. flip sides! you get introduced to a new member of the pp family: tamas jones, one half of the australian duo hey convict, re-does an underground classic, your dj bag is crying in joy! tambien is finishing off things with their dubbed out version of a dutch synth pop cut.

broken arrows are the powerhouse duo of londons bill ambrose and spruxx. united over an envy inducing collection of vintage and modern synths and drum machines. broken arrows are the sound of a slime coated pansexual club d amore as populated by malfunctioning ed-209s getting real freaky. taking cues from classic ebm, minimal synth, these three dark-fucking-wave destroyers are complimented by a remix from the one-man-brutalist-factory known as drvg cvltvre, taking the title track and twisting it into a reimagined 8-bit nes grinder / grindr. mastered by phelan kane. art by eric lee. always limited. download code included.

bitter moon has criss-crossed europe to gather a trio of heavy house hitters for lunes de fiel vol. 2. creme organization prodigy innershades gets the show on the road with the synth slamming groove of -moments of euphoria-. new beat memories bounce alongside rumbling rhythms in track guaranteed to ignite speakers. next stop is germany with snuff crew and -your hands-. the jack experts fillet their trademark raw edges for a smooth and soulful piece of late night chitown. smoke curls around chords, claps are softened as samples turn in a twilight haze. the final destination, italy, is bathed in the 303 sunshine of -#acid-. the white rabbit recordings founder uses the building blocks of chicago to produce a fluid floor filler. cymbals, cow-bells, toms and snares are soaked in a devilish brew of acid. bohemian body jerk to a 4/4 beat to bring down the curtain on this latest instalment of lunes de fiel.

parallax 02 - tv.outs debut ep on parallax features 3 new jacked up cuts defined with overdriven drum loops & rugged synth lines. topped with greg beatos killer remix this is a serious underground gem - not to be missed!

len faki initiates a new series on figure. a hybrid of picture disc and classic vinyl, 65.5 looks to the future of the label in a bold statement both musically and aesthetically. already well known for his precise works, and with a wealth of remix credits under his name, djs have come to know exactly what they can expect from a len faki production - pure quality and dedication to his art! with other key figure artists expected to contribute to the concept too, we re excited to offer up this beautifully crafted series of collectors items. the classic rattling techno stabs of basic pain procedure are reworked into a storming deep quest for the floor - one for the heads, the original was produced by a certain and much heralded uk duo in their early years of operations… len faki takes the haunting, bare bones of the original and modifies it gracefully, resulting in this high-end reprise. emerging from the hazy echoes of a late 90s rave in the uk, by way of chicago, the classic synth line could be the epitome of a genre that seems to live on timelessly without borders or the need for hype: dub techno spirit 2015!

paul cottams ruff draft label enjoyed a great first year in 2014, delivering white-hot material from the man himself, lk and romansoff, amongst others. for the imprints first missive of 2015, cottam has recruited cardiff-based rising star chesus, who previously impressed via releases on local talk, 4 lux and catapult. theres naturally much to admire, from the acid-era electronics, delicate synth strings and shimmering chords of opener orbicular, to the dj gregory-ish stabs, wonky electronics and dense, organic-sounding percussion of wyw. bristol-based producer owain k - best known for his hook-ups with jamie anderson on dessous - lends a hand on let it happen, a rather fine slice of warm, immersive, balearic deep house goodness seemingly inspired by the vangelis classic of the same nam

one per person pls following her debut on the music for shut-ins compilation, antenes concocts three tracks of otherworldly techno on l.i.e.s straight from her nyc workshop. tip! *antenes operates a laboratory of self-made analog sequencers and synth modules built and manipulated in the name of rhythmic, sonic and spatial exploration. antenes signal path transforms synthesizers into sequences that burst with percussive energy, bouncing sound through sound like so many fuzzy am radio stations clipping during a late night drive. the result is a sound fundamentally unique and viscerally propulsive that shuttles dancers into a vortex of electro pulses. *

the original opens with a field recording intro followed shortly after by heavy bass shots and a pulsating kick drum. snare patterns and an underwater synth melody hit the speakers with an abstract touch, while halfway through the pace changes with a new bass coming in. an experimental and brave track, it reflects idriss djing style and his long sets, going into different mental spaces, a wavelike combination of beats and up&down rhythms. eduardo de la calle s trademark analog sounds fill his tribute remix with acid keyboards, rim shot grooves, industrial noises and metallic vibes, swinging with a rolling bass line and bringing the original percussions to the fore.

the title track is a monstrous cut designed to get floors sweaty. with its futuristic synth smears, blasts of white noise and slick rubbery beats it is impossible to ignore. full of atmosphere and some ghoulish voices, it s a fine affair from this italian master. the malandra jr remix is even more tense, with industrial machine sounds zipping and fizzing about in a progressive groove, whilst martin patino deconstructs the whole thing and re-builds it as a jazzy minimal affair with sick chords, smears of colourful light and plenty of charisma. lastly, eddy romero & frink go for a dark, dubby, stripped back number that will please the real heads out there.

tasteful nudes brings frankfurt-based producer janis into the fold for release number seven, you cant see me. a founder of the house is ok label and contributor to mirau and smile for a while, janis brings ravishing melodies and impeccable sound design to this three track ep. playful but pounding, the title cut featuring vocals by eva kruijssen teases listeners into a game of dancefloor hide-and-seek. meanwhile, tender love wraps dancers in fuzzy synth lines and hazy vocals by denise frickenschmidt, as a deep, creeping bass line warms their feet. the rustic majesty of es nestchle, strung with samples recorded in the family cottage, sets hearts aflutter with soaring strings and swelling melodies. the record artwork features an original photograph by chicago artist olivia coran

030 recordings proposes the third release on vinyl. a new original work of three tracks signed by producer micol danieli which end with a charlton remix. the style is well marked by the sound of acid roland synth and drum machine sounds reminiscens of the underground dancefloor of the early nineties.

organic failure is the title of the latest release on injected poison. on this release we have 2 original tracks and 2 remixes from two of the most important producers in the techno scene at the moment. jose pouj named his first two tracks siris and fmo, two tracks produced through hardware and software with a thick bass, synth and deep atmospheres. christian wunsch is responsible for the first remix, with a more forceful and direct dancefloor approach. orphx delivers his version of metamorphosis, keeping the original sounds and shifting forward orphx trademark sounds.

slightly odd warehouse-kind-of-find from the west coast of usa. tracky beats, driving organ-synth-pads on the b, sometimes almost jacking and definitely a little bit wrong. this 12inch has more real taste of the underground than the regular limited edition hyped labels these days.

rss disco remix masin by ya tosiba. the dj and producer trio from hamburg focus on the bassline and make the synth pads shimmer. the original ya tosiba song is about the sudden appearance of cars in the streets of baku in the 80s. its a perfect cruising track now. patric catani aka candie hank mixes a hilarious, bouncing version of molla, paying tribute to zuzus funky meykhana vocals.

feel the drum beat of uneasy change in the eager hand drums, bass throbs, and stalking synth stabs turning up the tension like rents in a hip neighborhood. terrence parker goes more optimistic turn on the remix. hand stamped vinyl only rsd.

re-issue of a thunder orchestras shall i do it?, a haunting yet beautiful slice of hypnotic proto techno from the vaults of the rich eighties belgian new beat / synth wave / ebm noir scene, originally recorded in 1985 and released on a handful of cassette tapes only. re discovered by walhalla records and included on their underground wave volume 4 compilation in 2014, and now re-mastered and available on 12inch format for the first time ever.